I had good enough sense to do a quick sketch to see where I was at before the lessons started. Unfortunately I don't have any of my extensive work from high school. Most of it is hanging in my old room, but there is a lot of anime fanart stuffed into a closet somewhere in my parents' house.


This is Maija, one of our two kittens we adopted in July. When we got them they were incredibly sick and had to go through several rounds of antibiotics and eye cream. Not eye drops...eye cream. The pictures of them back then are kind of sad because you can see how Maija's eyes were affected by the illness. They are doing great now though, and doing cute (and not so cute...) kitten things. I'll save that for another post.

This fruit exercise was very interesting. Our teacher started off the class by explaining the concept of drawing an "envelope" to contain our subject matter and help us keep the objects with good dimensions. It's basically drawing a polygon around the major points of your composition, then gradually filling in circles or squares for objects and continuing to refine with your 4B pencil and magic rub eraser. This technique was really helpful for me because normally I just start drawing the details. However if you do that, and something is proportionally off, you can't go back and fix it. No matter how well shaded something is, if it looks off, it kills the image.

I am really happy with the way my nautilus turned out for this still life. It was extremely challenging, color-wise, to blend and gently layer the colors I had to get the colors I needed on the paper. I am sorely missing an assortment of beige pencils, and ended up not impressed by the conch. The cowrie shell was more fun, but somehow ended up looking like a rainbow shell from Super Mario. It took great mental effort to push harder with the pencils to get some color on the paper. I don't want to waste my pencils on drapes, but backgrounds are important too. I am terrible at fabric so that just means it's an area I really need to focus on improving.

I've just finished working on this still life for now. The bottle proportions were tough, but I finally got it and celebrated by spending two hours on the bottle's upper label. I also decided to bite the bullet and just get a 12 pack of the Prismacolor Art Stix (woodless colored pencils) to try out. The white was immensely useful when it came to the draping. Let's hope my professor thinks so as well.
If you're interested in seeing the progression of color, and the photographs they were based on, I've created a flickr set here.
